![]() This typeface was first presented in June 2007 at the 3rd International Conference on Typography and Visual Communication (ICTVC) and was met with rave reviews. Most recently, it received another award from the 3rd International Eastern Type Design Competition – Granshan Awards 2010. It received an award for Excellence in Type Design from the International Type Design Competition ‘Modern Cyrillic 2009’ which was held in Moscow. PF Champion Script Pro is perhaps the most advanced and powerful calligraphic family ever made. It possesses great legibility in body texts, which makes it ideal for extended reading and supports a variety of languages.What is the PF Champion Script Pro® font? ![]() This is a versatile type family perfectly fit for books, editorial, and usage in print and on screens. A complementary system designed to enrich the serif version and give new options for hierarchy and composition. On the other hand, Epica Sans was completed in 2020 and is the counterpart of Epica Serif. ![]() Through the years was re design in several times to the point of reaching its current version. The first sketches were drew 8 years ago during the Master of Type Design at the University of Buenos Aires. Epica Serif, which have a more classical design, was finished 5 years ago in its first version. This family has been designed in two different moments. Its strong personality makes it distinguish, because it perfectly combines the elegance of antique typographies and the forcefulness of contemporary ones. Its letterforms show the visual richness of Epica that includes some calligraphic reminiscences perfectly legible in small and display sizes. This family encompasses different typographic scenarios with emphasis in style and functional equilibrium. A humanist type family with a contemporary design. Among the ligatures, the double mm is especially unusual and is hardly familiar, but can contribute greatly to saving space without catching the reader’s eye.Įpica is a contemporary interpretation of the Venetian Renaissance types. And the open form of B R and P is also not typical in a sans serif.The distance between letters is kept tight and often the characters nearly touch, but only nearly.With ÉconoSans you gain approximately 20% more text in a line than with »Tahoma«, and even still more than 10% compared to »Helvetica«.ÉconoSans also includes tabular figures as well as ligatures. An especially distinguished trait of this font is the design of the “triangular” characters v w y x k z and A V W Y Z K X M N. The letters c e, and s are wide open to their neighbors. Even the name of the font implies its function: French for the infinitive “to save” is “économiser.” Now if that doesn’t sound good…The shapes of the upper and lower case letters are completely matter-of-fact, the way a modern font has got to be. The ingoFont ÉconoSans is made for exactly this purpose. In practice, there are always situations in which as much information as possible has to be positioned in as little space as possible. And as any designer knows, body clearance of characters also depends on other parameters such as point size and line spacing. But obviously, the words should still be legible. The most space-saving sans serifThis font saves more space than any of its kind! Slim proportions, but not “condensed” Characters which nearly touch Sparse ascenders and descenders Distinct formsHow close to each other can the characters of a font get? Theoretically, as close as you want. ![]()
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